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[–]zephris 5 points6 points ago

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With a period, I would think.

Seriously, tie up any and all loose ends that are required for a sense of completeness and then just close it.

[–]sketchyjason 1 point2 points ago

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This is the only all-encompassing answer. You do what the story calls for.

[–]zephris 0 points1 point ago

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Eaxactly. You're on borrowed time: the reader's. Don't make them feel like they wasted their time with a story that isn't complete. There's a time and a place for that and a long story isn't it unless you plan a sequel. They're at the end of the book with just a few pages to go, and they don't want to feel like it's not complete. Go for the climax and then the denouement. If you need to tie into a sequel, give it as a thought or an epilogue.

[–]nomoremermaids 5 points6 points ago

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No spoilers. I promise.

I like that hollow feeling I get when a story leaves out just enough to be frustrating---or takes an awful turn (having completed the main plot line) and doesn't resolve everything.

I found the HP epilogue to be unnecessary and boring.

The end of Lost made me regret spending all that time watching it.

I think the best way to end a long story depends entirely on the story itself. There's no easy answer here.

[–][deleted] 2 points3 points ago

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I agree about the hollow feeling. It is the type of thing that makes you miserable and frustrated when the words hit your eyes. But later the words bounce down to your heart and resonate and act as an adhesive that attaches the whole work to your heart better than the happy feely ending.

[–]jamougha 9 points10 points ago

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"And then he woke up."

[–]wonderfuldog 5 points6 points ago

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Authors who do this get the sixth circle of Author Hell.

[–]kloo2yoo 1 point2 points ago

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in which they have 7th reprintings that make it the top of the NYT bestseller list, and are obligated to do seven booksigning events a week, but all of the attendees are haters and hecklers, and then take home total royalties of $0.07, six of which have been withheld for taxes.

[–]monkey3 1 point2 points ago

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When I was in high school I was working on a story that was going to have this ending. Luckily I realized what I was doing and killed it with fire.

[–]Shalmander 2 points3 points ago

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Very few authors can pull this off. I wish I could downvote those authors.

[–]IgnoranceIsADisease 3 points4 points ago

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To me, the best stories end conclusively but leave the reader wanting to read more. The characters should be people you really love to love, love to hate or just love to read about. I know that's kind of a cop out, but yeah. :-)

[–]aglet 0 points1 point ago

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I agree. I want to be a little sad when I finish a book.

[–]phrees 2 points3 points ago

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So what happened to Lisa from high school? It doesn't matter, she lived three blocks away and you only chatted with her twice. The conclusion of her story is not important to the telling of yours. Stories are not about characters, they are about emotions. When you've said what you need to emotionally you're done.

Details left floating are the seeds of sequels.

[–]derefr 4 points5 points ago* 

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On that note, my favorite ending: End of Evangelion (i.e. the movie, not the end of the series.) You feel so screwed-over by a lack of physical explanation, until you realize that, emotionally, it gave you all the closure you needed. The characters completed their character arcs; what was going to change, changed—and what was never going to change, didn't.

So, from that, a general rule: if you're writing something character-driven, closure doesn't mean "telling the reader how the plot ends." Once the characters have done all the growing they're going to do, you can stop writing, no matter what still needs to "happen" in the setting. As long as the characters are coherent and their actions predicated on their personalities, the outcomes of any further events [TVTropes] may simply be inferred by what happened in ones already shown.

On the other hand—if you're writing for the sake of the plot, finish out the plot.

[–]neshel 0 points1 point ago

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See, that's why I liked the end of LOST (no spoilers). It gave you closure on the characters, even if there were a lot of things left unanswered.

[–][deleted] 1 point2 points ago

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Kill everyone off.

[–]alexroark 2 points3 points ago

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"And then they all died! The end!"

[–][deleted] 1 point2 points ago

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And so everything you read doesn't matter! Fooled ya!

[–]cjdyal 2 points3 points ago

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I recently finished the second draft of a long novel (first draft ~150,000 words, second ~130,000). Two things I did:

1. The Final Chapter: Tried to have a "beautiful," peaceful ending that resolves the character arcs. Where, after reading the final paragraph, you can sit back, feeling satisfied, like finishing a large meal.

2. The Epilogue: Wrapped up any random loose ends I had and brought the story full-circle. One that makes you reflect on what you just read. E.g., the opening chapter begins with a character writing in his journal, the epilogue concludes with an excerpt from it.

As for HP and LOST (no spoilers):

  • I did not like the epilogue of HP because I didn't feel like it wrapped up the characters' stories and left dangling questions.

  • However, I LOVED the ending to LOST because it DID wrap up the character arcs. Yeah, it didn't answer everything but that's more of a complain about the final season rather than the final episode. The final episode was beautiful.

[–]titaniumjackal 2 points3 points ago

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An Aesop?

What is this? Do you mean a moral?

[–]manyhappyreruns[S] 1 point2 points ago

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Yeah, pretty much. I'll give you a few from my example: men who keep still are no fun; a lesson without pain is meaningless... but by enduring that pain and overcoming it, you shall obtain a powerful, unmatched heart; do things yourself instead of having others do your work for you; don't put 10 into something and get 10 back, put 11 into it and you'll make the world a better place.

These are all within 5 minutes of each-other, basically flat out said to the camera. Yeesh.

[–]hamandcheese 2 points3 points ago

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It really depends on what you want to convey. There is no "best" unless you have an end in mind. Some people like resolution, for example, but then again resolution began the decline of Twin Peaks. Twists sometimes work (The Sixth Sense) and sometimes they don't (The Village).

Personally, as a generally rule, its best to find a place in between. The ending should never be predictable so whether that means having a small twist is up to you. Things should never be fully resolved either. You leave your reader or watcher with more emotional pangs when there are some things left unexplained. That's why I hate epilogues that break from the narrative and explain how character X went on to have 3 kids and marry, and then retired and died in peace - its irrelevant.

[–]ChaosMotor 2 points3 points ago

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The best way to end a story is with its appropriate ending.

[–]Valkyrie44 4 points5 points ago

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"The End"

[–]vurplesun 1 point2 points ago

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I hate endings where the author destroys their entire universe. I prefer things left open-ended, where I can imagine the lives of these characters going on or not. I don't need to know, necessarily, how every little thing turns out, but wrapping up the important stuff is good, too.

That said, it needs to be, you know, planned out.

I never finished Lost past season three or so because it became readily apparent to me that the writers were just making shit up as they went along. It's clear they never had any idea of what the ending would be, so every mysterious thing that happened, every thing that sort of implied there was a bigger story at work was, essentially, a lie.

Monk kind of ended the same way, which really pissed me off.

I thought the Harry Potter epilogue was superfluous.

In most circumstances, I think it's best when you set up a Chekhov's gun situation. I like endings where I finish the book, stare at the last page for a minute, then flip back to the beginning and go, "Oh!", where reading it the second time enriches the story even further, now that you know what's going on.

[–]wonderfuldog 1 point2 points ago

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I think that the standard ending is something like "big finish", followed by a couple of pages of quiet contemplation and "preparing to move on with their lives" by the (remaining) characters.

This may or may not be the best ending for any particular work.

[–]dunya 1 point2 points ago

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Redemption.

[–]girthagain 1 point2 points ago

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With a gunshot.

[–]cogburn 1 point2 points ago

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With a bel-air.

[–]MiddleAmerican 1 point2 points ago

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"and then I found five dollars."

[–]aglet 1 point2 points ago

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I like an ending that loops back around to the beginning somehow, clicking things into place. Not everything though...

[–]wonderfuldog 0 points1 point ago

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Is kind of a cliche.

[–]aglet 0 points1 point ago

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Not if it's done right.

[–]wonderfuldog 1 point2 points ago

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Fair enough, though in a lot of cases it's not done right. This is probably a general rule about cliches.

[–]dexer 0 points1 point ago

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An ending is just another part of the story. It can vary as much as any other part for any number of reasons. Some people will love it, some people will hate it.

Meh

[–]rrcasco 0 points1 point ago

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I would love to know absolutely everything that happens after the story ends. It makes the world that much more real to me to know that there is motivation behind everyone actions in the story... That it just wasn't fit in to make the story better. I listen to the directors/writers commentary after watching movies, and scour the internet for back-story. I love hearing about story arcs that were thought of but never put into the book/movie. The more the better.

[–]stevekresena 0 points1 point ago

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quickly

[–]jeannaimard 0 points1 point ago

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Stop writing.

[–]kepedo 0 points1 point ago

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Depends on the type of story and what sense of time it was used. When I do stories on the past I usually just end with stuff in the present and move them a little into the future... another kind I do is just have an animal or something that goes away from the characters as they are left behind the background to continue on with their lives.

One time that I did not know how to end stuff I just continued until I ran out of pages to write on... funny experience.

[–]monkey3 0 points1 point ago

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Just Micheal Bay it. Everything 'splodes. Someone dies heroically. The hero gets the girl and the whole world is saved even though most of it was 'sploded. Just make sure there is no story.

[–][deleted] 0 points1 point ago

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"The End"

No, but really end it however it seems natural. Some stories do well with a long epilogue however many just end abruptly. The good old in late out early rule.

[–]LowcountryIslander -1 points0 points ago

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Hearing the shower, she walked in and found Bobby Ewing, alive and squeaky clean.

[–]vurplesun 0 points1 point ago

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My roommate and I watched Dallas (all of it) over the course of several months. Of course, we knew about this 'twist' when the season came. It was so strange watching the entire season knowing none of it was, technically, real.

[–]sam480 -2 points-1 points ago

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Kill everyone.

[–]petrok -2 points-1 points ago

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a good editor

[–]278225mw -2 points-1 points ago

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All you gotta do is have the main character wake up. The whole story was a dream. trust me